Five Weeks in Five Minutes

This is a screencast reflecting on teaching literature with new media. The link goes to a 12 megabyte Flash movie.

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Posted by Daniel Anderson at 01:27 PM
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screencast reflecting teaching at the edges |
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Posted by Daniel Anderson at 01:43 PM
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new writers take the lead |
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I’d like to send out a message aimed at two different audiences. It’s a post to weave together two threads of conversation I’ve been considering of late. The first thread is Web 2.0. I know: not another summation of what makes the second Web different from the static Web. But, remember, I’m thinking of two different audiences here. And one of them needs to learn more about the current state of the Web, and especially about writing on the Web. Consider the composition outcomes offered by the Council of Writing Program Administrators:
By the end of first-year composition, students should have a critical understanding of digital literacy, including:
- using the computer for drafting, revising, responding, and editing
- employing research strategies using electronic databases
- conducting web-based research and evaluating online sources
- understanding the difference in rhetorical strategies used in writing traditional and hyper-text prose/graphics.
I should note that these outcomes are the current set listed on the WPA technology plank blog and they may have shifted some after discussion at the recent WPA conference, but they will serve to highlight the need to explain something about the second web to the WPA audience. The outcomes represent a static understanding of the Web and technology-mediated writing. (For expansion on the concerns regarding the statement, see the recent discussion collected nicely by Kathie Gossett and Derek Mueller.) I’m in an odd position, since I really know just a little about Web 2.0 and even less about how to construct outcomes for writers. Further, the members of the WPA community represent an audience of sophisticated writers, expert teachers, and gifted scholars. I feel, though, that I can address this group to say, focus more on the nature of writing today on the Web. I can say this because I, too, need to think through the kinds of writing outcomes that might play out on the current Web.
So, what might writing teachers remark about the Web today? Well, clearly the Web is growing functionally and visibly social. Take the communication activity that characterized healthy e-mail or newsgroup discussion during the first years of the Net boom (say, 1994-2001), and then translate it into Web space. The Web and its mechanisms of subscription, notification, trackback, and comment now facilitate a more public and spatialized version of e-exchange. If e-mail once eclipsed the letter, it now sits in the shadow of the social Web. Where does that leave writing teachers looking toward the future (present)? Note: this is not a train on the tracks argument. (It's not about technology's ubiquitous nature and reach. The claim is that writing can be a social act, a claim nearly every writing teacher would support, but a claim often not reflected in many classrooms.)
Perhaps there really is only one audience addressed in this message, since the second audience I had in mind concerns itself as well with the nature of writing. This group might be represented by the sample in the latest Pew report on the state of blogging. Members of this group almost certainly “get news from the Internet” (97%) and most of them (77%) “have shared their own artwork, photos, stories, and videos online.” Seventy-seven percent. And, get this:
Bloggers also like to create and share what they make. Forty-four percent of bloggers have taken material they find online – like songs, text, or images – and remixed it into their own artistic creation. By comparison, just 18% of all internet users have done this.
And this:
[F]our out of five bloggers (80%) post text to their blog, but nearly as many (72%) display photos on their blog. Nearly half of all bloggers (49%) say they have posted images other than photos to their blog – items such as drawings, graphs or clip art. Close to a third (30%) of bloggers had posted audio files to their blog and another 15% vlogged, or posted video files to their blog.
True. Writing rules the blogosphere, but three quarters of bloggers posting images? Thirty percent posting audio files? Fifteen percent posting videos? That’s a lot of writers dealing in multimedia.
Of course, not all bloggers post multimedia. More to the point, not all writers blog. So, maybe this is just a fringe element, a blip. But I don’t think so. The Pew report notes the rapid growth of blogging. Twelve to nineteen year olds blog more than twice as much as older bloggers. The percentage of blog readers has shot up since 2005. No, this is not an insignificant shifting of the ways people are writing. Writing is moving into social Web space. And Web writers compose with multimedia.
And, that’s exactly why I’d ask a group of teachers, scholars, and practitioners of writing to think about the activities and opportunities (tag as outcomes, if needed) afforded by the second Web. It’s a chance to put forth some suggestions about what you need to know and what you need to do to write today. To write today you need to
You need to spatialize the net. Understand computing metaphors, established (desktop, server) and alternative (bus stop, kitchen sink). Know about files and applications. Understand and shape your computing environment. Find archives and databases. Compose searches. Get into the public domain. Know not to be thwarted. Capture. Screen shot. Exercise your fair use. Make decisions. Give credit. Know about layers. Resize. Crop. Add text. Move among media. Compose with a timeline. Fade in. Say something. Shape it. Fade out.
I list these needs as expectations. I would hope students leaving a writing class could meet such expectations. I list them because I feel there are more important outcomes that these activities might facilitate. One, they might enable students to participate in written exchanges with currency. And, two, they stand a good chance of engaging writers with their materials. The outcomes might be the ability to say something meaningful personally and relevant socially. Only then are we likely to discover that unnamable suspension felt when writing well, forgetting (I would hope) the assignment, and instead fixing on the mixing
Posted by Daniel Anderson at 08:57 AM
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weaving the second Web and writing outcomes together |
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Posted by Daniel Anderson at 07:58 AM
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just a small sampling of self |
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Moreover, publishing within such a network seems increasingly crucial to media scholars, who need the ability to quote from the multi-mediated materials they write about, and for whom form needs to be able to follow content, allowing not just for writing about mediation but writing in a mediated environment.I agree wholeheartedly. At the same time, I don't like the claim that media studies people are either best suited or more appropriate for this task. First, my gut sense is that often media practitioners are not the ones writing the books about media studies. Second, and more important, if this gesture matters, then it matters for all writers, especially those not already layering and key-framing in the choir.
Point two:
The move from the discrete, proprietary, market-driven press to an open access scholarly network became in our conversations both a logical way of meeting the multiple mandates that academics operate within and a necessary intervention for the academy, allowing it to forge a more inclusive community of scholars who challenge opaque forms of traditional scholarship by foregrounding process and emphasizing critical dialogue. Such dialogue will foster new scholarship that operates in modes that are collaborative, interactive, multimediated, networked, nonlinear, and multi-accented. In the process, an open access scholarly network will also build bridges with diverse non-academic communities, allowing the academy to regain its credibility with these constituencies who have come to equate scholarly critical discourse with ivory tower elitism.Again, yes. I'm behind the move. I worry, though, about regaining credibility with these constituents if the nature of the scholarly discourse remains more or less unchanged. I guess my questions boil down to will a venue shift be enough? Or, will it be a drastic enough venue shift? Or, is the nature of the academic mind such that it is likely to alienate a general public in any venue?
I don't want to come of as hyper-critical. I'm eager to see this play out. There is also a pedagogical dimension that is really worth a look. I'm excited about such moves and want to plug them.
Posted by Daniel Anderson at 07:54 AM
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new venues and process may mean new ideas and relationships |
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Today I interviewed Cyrstal about her character collage. I'm posting the interview as an enhanced podcast. To see the podcast in a larger window, try the pop-up, knowing it is 5.3 megabytes. If you want to download the podcast for an iPod, the file is at http://teachmix.com/podcasts/collagethoughts.m4a.
On a side note, the interview was conducted with an M-Audio Microtrack--a portable digital recorder that will run a phantom powered microphone. I'll report back when I experiment with the equipment a bit more.
Posted by Daniel Anderson at 12:29 AM
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reflecting images through images and sounds |
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Donna mentions the beginning of her women's literature summer class and Derek has posted some screenshots representing audio feedback he has been doing in summer school. I thought I'd chime in with two cents about my summer session so far. Right now we are in week three of a five week session, and the summer rhythm has resulted in at least one My take is that, while it's possible to balk at a single print essay in a composition or literature course, an assignment that takes that essay and works it and reworks it over the course of a semester might mitigate against concerns about abandoning print (which I share). The realization, though, wouldn't have happened without the compressed schedule of summer. In four weeks, it makes sense to work steadily on an essay, but I wouldn't have seen that in the middle of a fifteen week semester. I don't see why the strategy couldn't translate to a larger session. Zooming out, I see what I'm trying to do is take the spread across genres from a typical compostion class--profile essay, research essay, persuasive essay, etc.--and translate it using media--print essay, audio essay, collage, video essay. Keeping the prose composition going the whole time somehow makes sense in this context.
Let me also share a couple of projects from the classes.
The first is the podcast, The N-Word, by Josh Wallace. I don't think this piece should be heard as offensive, though it does take up offensive language. I do like the way it weaves in music, television, and student voices to explore the topic.
Next, let me point to a collage by Crystal Borne, who also did the Poke Hemingway profile. I like how Crystal has created a first, a second, and a third version of her character analysis collage. She mentioned to me her questions about how the different versions might be read, based on the subtle changes in the lower-right corner. For instance, the splash of color in the green flatline vs. the subdued tones in the same spot in the other two versions might add a contemporary feel and resonate with the drug connotations in the red needle.
Today we should be collecting some mid-term portfolios so hopefully I can learn more through some of the reflections and responses.
Posted by Daniel Anderson at 09:01 AM
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teaching really fast |
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Posted by Daniel Anderson at 07:37 AM
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tweaking margins and possibly noses |
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Posted by Daniel Anderson at 07:06 AM
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new additon to the family |
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